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Music

Blanck Mass: World Eater (LP, Sacred Bones Records, March 2017)

“A reaction to the human race consuming itself from Benjamin John Power (Fuck Buttons)” says a sticker on my copy of this (which is a rather fetching red and black marbled vinyl — although not quite as beautiful as the similarly visceral “cherry pie” vinyl reissue of the Twin Peaks: Fire Walk With Me soundtrack that […]

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Music

Mike Cooper: Reluctant Swimmer / Virtual Surfer (LP, Discrepant, February 2017)

Here’s one to file under “strange but strangely wonderful”. The first 11 minutes of the A-side is Reluctant Swimmer, an ambient experimental thing which seems to be done on a prepared guitar, all scrapes and bloops and rattles: it sounds oddly like you’re inside some kind of arcane machine but in a much softer, more […]

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Music

Bing & Ruth: No Home Of The Mind (LP, 4AD, February 2017)

Like many folks, I guess, I got into Bing & Ruth when RVNG released Tomorrow Was The Golden Day in 2014, and only caught their self-published debut City Lakes when RVNG reissued it in 2015. Like many folks, I guess, I gushed unashamedly about TWTGD for its lush, twinkling, warmth — but I also like the slight element of (relative) raucousness […]

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Music

Eraldo Bernocchi and Prakash Sontakke: Invisible Strings (LP, Rare Noise Records, February 2017)

We last encountered Eraldo Bernocchi in these pages collaborating with Harold Budd on the wonderful Music For Fragments From The Inside. Here he’s playing with Dr Prakash Sontakke, who I’m sure you already know is India’s and classical Hindustani music’s foremost exponent of the Hawaiian lap steel guitar. Sontakke seems to take the lion’s share of the […]

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Music

William Basinski: A Shadow In Time (LP, 2062, January 2017)

As I’ve mentioned before, you don’t expect a new William Basinski album to be a radical departure: almost imperceptible evolution is more his thing. But this does feel like a little bit of a step forward. The self-titled A-side is 17 minutes of tape loops supplemented by a Voyetra 8 synth and other electronics, apparently […]

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Music

Marcus Fjellström: Skelektikon (CD, Miasmah, January 2017)

A nicely spiky bit of modern classical shizzle: lots of urgent-sounding strings, a bit of clattering percussion, layers of atmospheric electronics. The mood ranges somewhere between the sinister and the spooky. There are bits where the melodies seem eerily familiar — I could swear that Aunchron is quoting something super-famous but I’m too ignorant to […]