A nicely spiky bit of modern classical shizzle: lots of urgent-sounding strings, a bit of clattering percussion, layers of atmospheric electronics. The mood ranges somewhere between the sinister and the spooky. There are bits where the melodies seem eerily familiar — I could swear that Aunchron is quoting something super-famous but I’m too ignorant to […]
Author: dogrando
My albums of 2016
So, that 2016, huh? It would seem shallow to comment on the year musically without mentioning that, in a wider sense, it’s been a pretty momentous and frankly shitty twelve months. But I don’t want to get into politics here, so let’s leave it at that. The other popular theme of 2016 has been the […]
Resident Adviser advise us that “It’s hard to think of a geekier scene than algorave”. A cynic might suggest that “think” might be more accurately replaced by “make up” — but, what the heck, it’s still technically the season of goodwill, let’s go with it. At any rate, this rather juicy little number is the […]
It’s been a while since we’ve heard from Erik K Skodvin out of Deaf Center. The last release I bought (although there’ve been a couple I’ve missed) under the Svarte Greiner alias was Kappe way back in 2009 (before I’d started this blog). I’m happy to report, though, that this is stunningly good. The A-side, […]
Oren Ambarchi has amassed a very impressive set of collaborators for this record — I shan’t list them here, you can get that and all sorts of technical information on the label’s site. Even more impressive is how he’s managed to weave all that together and end up with something not only cohesive but with […]
What with the excellent recent records from Claire M Singer and Bethan Kellough, Touch have been on a pretty stunning run of form recently, and this release absolutely keeps up the good work. As with Solas, the composer is doing some awesome melodic drone work on a pipe organ, in this case the astonishing Acusticum organ […]
Apparently, Sheela Rahman has been releasing 12″s for a few years now, but this is my first encounter with her. And a thrilling encounter it is, too. The tracks explore a range of vaguely IDM-ish analogue techno and squelchy Chicago acid sounds (rather disproving my overly-neat thesis about techno LPs going either deep or broad, since […]
Hooray, Monolake is back! And he’s great! Again! Last week I was pontificating (again) about The Nature Of The Techno Album. In contrast to Roman Flügel’s, this is definitely a record which goes deep rather than broad, sticking to one style and refining and exploring and inhabiting it. Well, I suppose you could argue that […]
Being someone who’s keen on a spot of the old repetitive beats, but doesn’t get much, I’ve mused much (and written here probably rather too often) on the curious creature that is the techno album. To make a very crude generalization, there seem to be two popular approaches: pick one sound that works for you […]
I guess that a duo of acoustic fingerstyle guitar is a little bit outside my normal range, although I did go a bit dappy about a Steve Gunn record a few years ago. Maybe it’s time for me to go through another phase, because this is a little gem. I’m too young (!) to remember John […]