What with the excellent recent records from Claire M Singer and Bethan Kellough, Touch have been on a pretty stunning run of form recently, and this release absolutely keeps up the good work. As with Solas, the composer is doing some awesome melodic drone work on a pipe organ, in this case the astonishing Acusticum organ at Piteå — but there the similarities end, as the other instruments here are electric guitars and percussion, of a suitably epic post-rock/post-metal persuasion. This is basically one 21-minute track split across the two sides, and frankly it’s a bit of a monster. (It’s not too surprising to learn from a Quietus interview that the staff at Lincoln cathedral were very nervous about letting her use their aging Henry Willis organ because they thought she’d break it.) This combination is new on me, and it’s hugely entertaining.
I bought this from the label.