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The Black Dog: Music For Real Airports (CD, Soma, May 2010)

In which the techno veterans respond to the first record to be explicitly labelled as “ambient”: Brian Eno’s Music For Real Airports. I’m not clear if it’s a response, an homage, or a riposte: Boomkat claim that they “have long had a problem with Eno’s elegiac score to those transient spaces, feeling that modern airport […]