There are times when what I really need is to listen to some people playing guitar very slowly, swathed in fuzz and echo, accompanied by a light dusting of percussion which sticks to the top end of the drum-kit, all brushed cymbals. This does the job very nicely. A nice balance of melody and atmospherics, […]
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Atom™: HD (CD, Raster-Noton, April 2013)
I have talked before of the poppy side of Raster-Noton. This record fits that description rather more literally: its glitches are funky, its tracks recognizably songs, and there are real lyrics sung by real people (heavily processed, yes, but then that seems to be normal in today’s autotuned industry). Of course, this is still noted […]
Raymond Scott was a band-leader turned electronic music pioneer and synthesizer inventor. In 1963, he released these three LPs aimed at babies of 1–6, 6–12, and 12–18 months. They were, apparently, not a hit with their target market at the time. Your loss, sixties-babies, because there’s some fantastic stuff here. It was clearly either influential […]
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My Albums Of 2011 (an out of band post)
While prepping my Albums Of 2012, I realized that I’d completely failed to do 2011. So let’s backfill. In alphabetical order: Balam Acab’s bizarre squeaky-voiced psychedelia Wander/Wonder. Byetone’s unashamedly catchy clicks’n’bass monster Symeta. Jóhann Jóhannsson’s gorgeous, nostalgic, and uplifting The Miners’ Hymns. John Tejada’s sublime shuffling techno classic Parabolas. Ricardo Villalobos & Max Loderbauer’s endlessly enthralling […]
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My Albums Of 2012 (an out of band post)
It doesn’t do to rush these things, but after giving this weighty matter the care and consideration it undoubtedly deserves, I can finally unveil my Albums Of 2012. In alphabetical order, they are: Godspeed You! Black Emperor’s truly immense art-metal Allelujah! Don’t Bend! Ascend! Grouper’s parallel-universe-pop hit A I A Hildur Guðnadóttir’s spellbinding cello-and-chanting live recording Leyfðu Ljósinu […]
Matmos have made something of a name for themselves as purveyors of unusual samples (the liner notes for their 1997 debut Matmos featured such gems as “amplified hair, breathing, bowls of water, Polish trains”) and eye-catching concept albums (2001’s A Chance to Cut Is a Chance to Cure was famously built mostly from the sounds of plastic surgery and […]
Mika Vainio treats us to another fine selection of sudden clunks, gut-wobbling buzzes, and long ominous silences. An obvious reference point would be his last album with Ilpo Väisänen as Pan Sonic. The comparison is interesting: this trades a little of Gravitoni‘s raw power for a little subtlety. You could almost say that this is the chamber […]
Hah, now, this is splendid fun: three big fat slices of hard, thumping, dark industrial techno bordering on proto-trance. The title track is dominated by a huge pounding bass drum, an evil-sounding buzz, a huge minor-key acid synth riff, and a guy who whispers in a sinister fashion like the bad guy in a horror […]
Stephan Mathieu’s A Static Place is an exceptionally well-named record. He has a talent for letting notes play out for what seems like minutes or hours, leaving you wondering over the subtle interplay in the standing waves forming between two sounds. His source material here is Japan frontman David Sylvian’s 2003 experimental pop record Blemish. He spins […]
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Sigur Rós: Valtari (CD, EMI, May 2012)
Sigur Rós are one of those instantly recognizable bands. They invented a kind of melodic drone-pop which nobody has really even tried to imitate (I suppose the closest I’ve heard would be Amiina, who sometimes sound like a kind of instrumental version ― and, as Sigur Rós’s backing band, that’s not too much of a surprise). And […]
dogrando writes about some records 