First impressions can be deceiving. Having been underwhelmed Aphex’s two releases in 2015 and, I’ll admit, having largely forgotten about the 2016 one, I was prepared to be hurt again with this. And the first two minutes of the lead track, T69 Collapse, seemed to confirm my fears: it’s kind of a skittering drill’n’bass number with […]
Author: dogrando
This one from William Jourdaine is super hard to categorize. According to the blurb, ‘the sonic material is all sourced from the field, with recordings captured in the forests and caves of rural Quebec, along with ex-urban “non-places”, and various waiting rooms’. This seems to have gone through a whole load of modular synth gear […]
Barbieri’s Patterns Of Consciousness was a thing of great wonder and one of my records of 2017. This record was recorded before that, in 2014–15, but released after — I’m not sure whether this was planned, or whether this one only saw the light of day owing to the success of her debut. No matter: it […]
Ahhhhh! Swans-chappy Norman Westberg has been playing with his guitars and his effects pedals and has come up with a lovely sort of ambient drone thing which immediately sweeps you away in a sort of floaty haze. Little plucked melodies drift in and out of the gentle waves of texture. It reminds me a little […]
When I discover a record I really like by an artist with a few releases under their belt, it’s tempting to go back and binge on their back-catalogue. I normally try to resist, having found that it mostly leads to disappointment, and often dilution of the pleasure of the music that kicked the whole thing […]
The buzz started with the 2016 retrospective album simply called Works. Abul Mogard had worked for decades in a steel plant in Serbia, and it was only when he retired that he bought a bunch of electronics, got tinkering, and started making music — trying to recreate the sounds of the factory, which he missed. Or […]
I never quite got into Martin Jenkins’ work as Pye Corner Audio: it’s retro seemed heavy-handed and lacking in substance. But this, his second LP as Head Technician, I like. It’s basically dark acid techno, and so, yeah, it’s still pretty retro… but it’s big and chunky and bouncy and fluid and basically it’s really […]
Christina Vantzou keeps us on our toes here. Glissando for Bodies and Machines in Space is all sighing voices and synthesized hums. Percussion in Nonspace is sparkling little number of delicate chimes. At Dawn is a generously-processed string drone number (the cello is by Clarice Jensen whose For This From That Will Be Filled I was […]
It’s sort of hard to know what to say about a new Goldmund record. Delicate piano, close-miked recording by Taylor Dupree, ambient fuzz: check, check, check. It basically follows in the footsteps of 2015’s Sometimes, even down to the moody black-and-white cover art. (Of all the Goldmund albums I have, only 2011’s stunning guitar-based American Civil […]
It’s no secret that I’m a sucker for some cello-based drone music, and Clarice Jensen has provided four rather dreamy examples of it here. The first track, bc, was composed in collaboration with the late and sorely lamented Jóhann Jóhannsson, and sounds very much like a tribute to William Basinski, so that’s ticking a whole bunch […]
dogrando writes about some records 