I had an odd feeling of crossing-the-streams with this album. I listened to a bunch of Ninja Tune stuff in the mid-90s, mostly instrumental and alternative hiphop and breaks, but I think of that as a part of my musical past. So for the third album proper from Adam Wiltzie and Dustin O’Halloran, who could […]
Tag: genre_classical_drone
Ooh, a new Skelton! I loved 2010’s Landings and 2012’s Limnology but none of his more recent works quite made it onto my radar (I think they were mostly pretty low key?). Well, this one emphatically did, and it is cracking. It was recorded, as you might have guessed, in the Scottish Borders, and is […]
It has to be said, Davachi isn’t going out of her way to make this accessible. The opening track, Auster, consists of eight chords, each sustained for over a minute, played I assume on some kind of analogue synth, with the natural fluctuations of the means of production providing the only variation (well, it’s possible […]
It’s no secret that I’m a sucker for some cello-based drone music, and Clarice Jensen has provided four rather dreamy examples of it here. The first track, bc, was composed in collaboration with the late and sorely lamented Jóhann Jóhannsson, and sounds very much like a tribute to William Basinski, so that’s ticking a whole bunch […]
Ooh, now this is really, really good. Claire M Singer, who is the musical director at the Union Chapel, has apparently been writing and performing for 14 years, but this is her first record. It’s really top notch classical drone stuff, with the traditional strings supplemented by some juicy work on the Union Chapel’s organ, […]