This is the kind of record you want to turn up loud and just let it wash over you. It’s two tracks, each just under twenty minutes, of glacial Buchla 200 drone. It hums and it shimmers and it throbs and it crackles gently. Sometimes the changes snap in and out abruptly; other times they […]
Tag: year_2020
Ewa Justke says that this was made “by self-designed, self-made, selfselfself, odd looking slightly dysfunctional synthesisers and by a trance purple killer Roland JP8080”. I believe her. I guess you might call it kind of experimental hardcore acid techno. It is mastered by the great Russell Haswell. The opening track, Mindless Cycles, is an awesomely […]
I’m not sure, but I think that Nozomu Matsumoto might use the same speech synthesis programme as Eartheater does on, say, C.L.I.T — or, at any rate, it seems to make the same kinds of errors in its prosody. This is pretty emphatically where the similarities end, though. This record is the soundtrack to an […]
The start of this record risks confusing an aging IDM-head such as me. The first track, Te Conocí, sounds a little bit like Selected Ambient Works Volume II being played in a hut with rain pattering down on a tin roof. The whole album is presented as a continuous mix so the first beats fade […]
Stephen O’Malley (of Sunn O))) fame, and boss of the Ideologic Organ label) tells a cool story about his first meeting with Karen Jebane (aka Golem Mecanique) at an exclusive-sounding French festival where “some mad acoustician geniuses have built massive concrete amplified horns into the hillside to project sound against the cliff, activating the landscape’s […]
This is Sasu Ripatti’s first proper release since apparently quitting the music industry and getting rid of all his kit, so it’s not surprising that he’s come back different. I actually did some revision for this write-up: I went back and re-listened to the four previous Sasu Ripatti records I own, from the aliases Luomo, […]
I don’t buy a lot of 12″s or EPs. Partly, this is because I seem to really like the album as a format — I like the feeling of handing over control of my listening to an artist for an hour or so — but, to be honest, it’s mostly because I have enough trouble […]
First proper post of 2020. I know, right, what am I like? I actually don’t think I heard anything that came out in January that I liked enough to buy; I ordered this in February, it didn’t arrive until early March; and then… for a while there, blogging felt kind of weird, what with, you […]
dogrando writes about some records 