Matchess: Sonescent (digital, Drag City, February 2022)

Now this is something rather novel and entirely delightful. Whitney Johnson gives us two long tracks (eighteen minutes apiece). Although mostly strings, these take in drone, folk-ish fiddling (with the occasional digression into folk rock — a guitar and a flute sneak in at the end), and sawing classical minimalism, and are supplemented by other […]