These four tracks of what I’m persisting in calling call post-footwork are a huge amount of fun. The cascading beats do their thing, blurring the lines between competitive street-dancing culture and ecstatic tribal rhythms, while curlicues of melodies that ricochet with gay abandon around a small orchestra dart in and out over the top. There […]
Tag: genre_post_footwork
Jerrilynn Patton may have started out as one of RP Boo’s most promising disciples, but you only need to glance at the list of collaborators on Akoma to guess that this isn’t your standard issue footwork LP: Björk, the Kronos Quartet, and Philip Glass. Bang, bang, and banger. A lesser record could easily be overwhelmed […]
