This is seriously deconstructed dub techno, picking up (in album terms) where Tummaa left off. (The move from Leaf to Raster-Noton doesn’t appear to have had a massive effect.) Again, the dominant elements are all recognizable genre staples, but the structure is something quite different. This outing feels possibly less meandering. This is most obvious […]
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Mohn: Mohn (2CD, Kompakt, April 2012)
Wolfgang Voigt and Jörg Burger’s debut album is very much in the spirit of Kompakt’s Pop Ambient series: this is big, chewy, elastic, in-your-face ambient, full of big crashing noises and dubby swooshes, atmospheric but with as much sense of fun as darkness… it borders on the perky in places. It even has a reasonably […]
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Orbital: Wonky (2CD, ACP, April 2012)
So, here’s the thing: I have a history with Orbital. 1996’s In Sides appeared early on in my conversion to electronic music, and I was blown away by it. My favourite track was the astonishing 24-minute closing double track Out There Somewhere[1], in which simple little loops are introduced and slowly built up into an intricately […]
I loved Monolake throughout the last decade, and I was a huge fan of 2010’s Silence. Ghosts is apparently the second in a trilogy, and the continuity is clear — not least in the welcome reappearance of the spooky sleeve notes, but also in the abstracted mood, the extended beatless atmospheric interludes, the distant clanking, the […]
This had me right from the start. The atmospheric swooshes which open the album, rich timbre of that synth melody (22 seconds in), the extra colour from the subtle harmonies (26 seconds), the laid-back pad-tick-pad-tick beat (38 seconds) — it’s everything about it is so assured, it says “relax, you’re in good hands, just enjoy […]
This record has a wonderfully fresh take on the modern classical template, and I can’t quite put my finger on what it’s doing. We get sonorous chimes, tinkling pianos, and atmospheric strings. We get some jazzy touches, like the soulful reed instruments and the percussion’s tendency towards soft brushes and hand-claps. We get a subtle […]
The other day, I was listening to Raudio’s stream of Leif Inge’s 9 Beet Stretch, which slows the glorious Ninth of Ludwig van down to fill 24 hours. (I assume this must have been inspired on some level by Douglas Gordon’s 24 Hour Psycho?) In places, this is what Leyland Kirby’s latest reminds me of: an unmistakable […]
Uh-oh, the king of glitch has got the bass bug. This is ostensibly a follow up to 2008’s unitxt. I think it’s fair to say that this is an altogether dirtier affair. The ultra-precision clicks, blips, and edits are all present and correct, but there’s something grindingly industrial running underneath everything here. The tone is […]
Melissa Agate pairs gentle, woozy drones with delicate melodies on a range of tinkling chimes, slow-mo accordians, folky guitars, and the like. The effect is a very sweet kind of psychedelia. Of course, too much sweetness gets cloying, and I do find her occasional vocals tend to tip things over the edge into tweeness. But […]
There’s a beautiful simplicity to these pieces. Each features just one or two instruments, including viola da gamba (buffoon that I am, I thought this was a cello before I read the sleeve), acoustic guitar, spinet, and crystal glasses. They are sparsely constructed but unfussily melodic, and Colleen (aka Cécile Schott) clearly has an intimate […]
dogrando writes about some records 