A really impressive debut from this 20-year-old South African producer Sam Austin Rabede, alongside a wide range of collaborators and vocalists. The beats are, I gather, amapiano: rooted in house music, but with some really strong syncopation and tonnes of improvised-sounding frills and flourishes. (I’ll confess I’d not heard of the genre before, but then […]
This is just jaw-dropping. If I tell you it’s kind of violin-based electro-acoustic, you may think you know what to expect, but I don’t think you do. This record is packed with astonishing sounds: it wails, it thrums, it pulses, it soars, it laments, it floats. Oh, and there are some heartstring-tugging melodies, too. Elbo’s […]
I was well-disposed to this record before I listened to it because I had taken a childish pleasure in its title, which I admired for its OTT vibe which put me in mind of a nihilist Dune. So when it opened with a quietly rumbling gong (or something gongy) which you just know is going […]
Hans Op de Beeck‘s Staging Silence is a film art series in which a camera points at a table as hands come in from either side to construct and transform dioramas of various tranquil scenes, such as a wooden jetty on a moonlit lake, often out of recognizable everyday objects. Elegantly lit, and presented in […]
This arrived as a bit of a surprise to me: apparently, I had pre-ordered it, I think on the basis of a link from a Touch newsletter, and then forgotten all about it until it plonked through my letterbox. In this spirit, I have decided not to educate myself about its backstory. I can tell […]
According to the blurb on the back, this record was born out of two experiences: a trip to the Peruvian Amazon, and the strict lockdown in Italy. Most of the sounds here were made on a Buchla Music Easel in the latter context; the former provided field recordings from the Mayantuyaca centre for Asháninka healing, […]
There is a strong lockdown vibe to this record, but in a sunny, blissed-out, lemonade-making kind of a way. The six tracks here take in gauzy, ambient synth sounds, strings both gently droning and elegantly melodic, field recordings that tend towards the splashing water and the passing buses and the children playing in the distance […]
This is one of those records where I started to feel myself falling for it about a minute into my first listen, and was head over heels by about minute five. There’s this rather lovely delicate piano sound, you see. But then there’s this helicopter. And there’s just about birdsong. Then the piano builds in […]
This record was a surprise and a delight. The blurb I’d read about Emeka Ogboh had described him as a field recordist who’d had his work in art galleries, and I guess I was expecting something kind of austere. But bang on the first track, Lekki Aiah Freeway, and you’re hit with this awesome shuffling […]
There was a lot of hype when this retired Serbian steel plant worker turned modular synth ambient wizard hit the scene. I managed to resist it until 2018’s Above All Dreams, when I fell hard. Or rather, I didn’t, because there’s nothing hard about this music: better to say that I plunged deeply into its […]
dogrando writes about some records 