I am finding a tendency to overuse words like “lovely” here. This short record of compositions for piano (with accompaniment on celeste, reed organ, and some kind of tapping I can’t identify) is, though, lovely. The three tracks each move between liltingly playful and hauntingly wistful. The third, Tristana, makes up over half the album, […]
Author: dogrando
I previously knew Broderick mostly for his wonderful Float, a modern classical masterpiece. This is very different: gone are the lush strings, gone the cinematic beauty. In are vocals, layered choral harmonies, acoustic guitars, home-made clay whistles, and (whisper it) proper songs. That said, this is not a conventional folk album. The production is too knowing […]
In which Keith Kenniff plays some pretty tunes on the piano, and charms this listener’s socks off. Nobody could accuse this of being over-complicated. Goldmund is a solo piano project, and the tunes are quite simple and played without a great deal of flourish. At a casual listen, they could be mistaken for grade 3 […]
In which the 2nd-generation Detroit deity and the more famous half of Basic Channel rip apart Ravel’s Bolero and Mussorgsky’s Pictures At An Exhibition, chuck in some old-skool drum machines and synths, and create a 64 minute techno megamix. It’s possibly too easy to call this symphonic techno. Also slightly misleading, as neither of the […]
Intriguing and rather lovely. This record gives us sparse and heavily processed instrumentation which touches on a rather fuzzy, buzzy kind of laptop folk at times, and spirals off into drone at others. But it also gives us dreamy indie-pop vocals — and some pretty catchy tunes, too. If this sounds a bit like post-rock, […]
I think that Mark Pritchard was having a good deal of fun making this. Which is good, because I find it a good deal of fun to listen to, too. The first thing that strikes me are the big, throbbing, wobbly bass notes. Not always a good sign for me (I never quite got dubstep), […]
Wow. There are a lot of records out there at the moment which have that crinkly wash of old strings and static thing going on. Few of them are as lovely as this. I have the triple CD (it was previously released as three double LPs) and once I start listening it’s hard not to […]