A warning: If you find the idea of a woman singing breathily over pretty tunes played on harps and chimes likely to bring you out in a rash from the twee, this album is probably not for you. Which would be a shame, as there’s a lot of interesting stuff going on in terms of instrumentation and, in particular, of songwriting (I think this has really developed since Les Ondes Silencieuses back in 2008, my last encounter with Colleen’s work).
I bought this from Juno. They call it Experimental / Electronic.
dogrando writes about some records 