Jonas Reinhardt: Powers Of Audition (CD, Kranky, March 2010)

This is a good deal sillier than most of the records I talk about here. It’s tempting to describe it as a guilty pleasure, but I don’t really feel very guilty about it. Reinhardt is all about the synths, and creates wonderfully warm analogue music with layers of synths and drum machines, plus a good unpinning of bass and an occasional sprinkling of guitar. The instruments are vintage, and so is the sound, which is a defiantly proggy krautrock. But it doesn’t sound particularly dated: there are modern rhythmic touches, and the production is very fresh. There is a nicely even tone to the record, with a driven tempo like a heartbeat that races through the more up-beat tracks but still pulses insistently in the more laid-back numbers. Great fun.

I bought this from Juno. They call it Leftfield, whatever that means.

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